A high school senior girl finds that there's more value to her than meets the eye after being photographed by one of her classmates.

In this short film, Smolders theorizes about the effect of the gaze of strangers on the viewer, particularly in terms of what happens to these models after they have been captured by the image, by the camera.

While holidaying in Ireland, a pregnant children's author finds her mental state becoming increasingly unstable, resulting in paranoia, hallucinations, and visions of a doppelgänger.

Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry.

This film describes different forms and manifestations of water. The experience of the filmmaker's body immersed in water, sunken into the liquid element, represents the main theme of this poetic essay on the imagination of this element.

In Yunnan, at the end of the Qing dynasty, Auguste François, consul, photographer and amateur ethnographer documents, thanks to a camera provided by Léon Gaumont, scenes of daily life in the streets of Yunnanfu (now Kunming) , but also more exceptional events: a procession, a pagoda feast, a funeral, a performance of the Chinese theater.

A short film which explores various paintings from mental patients.

In Caucasus, men and women tell stories about their fascination with prehistoric monuments. Offering a hallucinatory perspective on ecstatic effects and ancestral powers, the film is also about how stone activates children's paranormal capacities. Bodies and minds are put to the test and question our relationship with the visible and the invisible.

Working from archives of private film footage from a trip to India by the upper class of the late 1920s, a period of strong anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the images and analyze the attitude and behavior of Westerners in the East.

400 years ago, in Japan, a revolutionary art was born and would influence the greatest Western artists of the late nineteenth century, the Ukiyo-E "floating images of the world." A wonderful trip in a world of beauty and discovery. The concept and objectives of this documentary are, on the one hand, to show, teach and discover Japanese art (Japanese stamps and prints) and, on the other hand, to demonstrate the influence of Japanese stamps on Western modern art, showing in comparison some of the Most famous paintings (impressionism or paintings by Van Gogh).

Images du monde visionnaire is an essential work in the Sandoz "artistic" portfolio for several reasons: it stands out thanks to its experimental form, nevertheless it is the daring subject of the film and the director's approach that makes the work unique. The film attempts to capture the altered state of consciousness of fine artist and writer Henri Michaux after taking mescaline and hashish. Michaux actively cooperated on the film as revealed in its prologue where Michaux comments on his psychedelic experiences. Also worth noting is the design of the film which uses Michaux's own drawings and surreal scenes evoking unusual states of consciousness.

A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.